When I started writing the Babet/Prosper novellas, it was because my daughter, Holly, kept bugging me to write more mysteries. I didn’t want to write a novel, but I did get excited about writing short stories. I’ve sold mystery short stories, and I enjoy writing them. That’s how ONE LESS WARLOCK (free on Kindle, Nook, smashwords) came about. It was an experiment to see if I could combine paranormal and mystery elements into a locked room mystery–you know the type, where they find a body in a sealed room. So how did the killer enter or leave? With paranormal, I had more gimmicks to work with. Totally fun. ONE LESS WARLOCK is short, because I intended on making it a one-shot deal–my effort to write a locked-room that would rival Agatha Christie. (Like that’s possible). But then, I really enjoyed Babet and Prosper. I got hooked on River City, and I thought, Why not write other types of mysteries and see how they work with witches and shifters?
I listed some of the types of mysteries that I enjoy. Of course, “puzzles” were at the top of my list. (I am a huge Agatha Christie fan). Try as I might, though, I can never make mine as clever as hers. MAGRAT’S DAGGER started out as a puzzle mystery–with the carved box that the “bad” witch dug up from the witch’s grave and the mummified hand holding the dagger inside it–as a clue. I was happy with the mystery when I finished it, but I fell short of Agatha. So who knows? Someday, I might try a puzzle again. I was happier with my “face in a crowd” mystery–of a person who’s supposedly been dead for years–when I wrote A DIFFERENT UNDEAD. Again, when you can mix paranormal and necromancers in the mix, anything’s possible. BAD JUJU was my stab at a missing person mystery. Who took her? Why? But then the paranormal elements started swallowing the mystery elements, and my whole process got a little murky. Which means there are still lots of types of mysteries that call to me. CELT SECRETS was my stab at the villain who kidnaps the hero’s girlfriend to use as leverage. I liked that, but I still want to write a Ten Little Indians plot, (by Christie)–where people are stranded somewhere and one person dies at a time–like the game and movie CLUE. And there are still the switched identity gimmicks, a suspense/thriller type story with a ticking clock, and maybe even a spy/betrayal type.
I’ve tried to write a mystery that hinges on handwriting analysis, and the idea still fascinates me. The entire process intrigues me. Which way does your writing slant? What does that say about you? What are your loops like in your letters–open or closed? http://www.viewzone.com/handwriting.html My friend wrote a story that pivots on handwriting, and I’m jealous, but it’s still on my “to do” list.
I can add another. I want to write a story from the POV of an unreliable character–but those are tricky. I could go on and on, but I hope you have the same problem I do–more ideas for stories than time to write them. Still, it’s fun having a “list” of things to do. Life never gets boring. So I hope you’re brimming with ideas, too, and happy writing!