I recently finished reading Anna Lee Huber’s A STROKE OF MALICE, a Lady Darby novel. Her writing is so rich in detail, it always takes me longer to read her than most of my favorite authors. I’d been reading a little more than I usually do, anyway, and I wasn’t ready to pick up another book. Then I remembered that she had a novella in an anthology with three other authors. The idea of shorter reads appealed to me.
I’d recently written a Jazzi and Ansel story for MURDER THEY WROTE, the anthology I put together with six other writers, so I was curious to see what THE DEADLY HOURS was like. I haven’t finished reading the entire thing, but the concept interested me.
I like short stories, so for years, I used to buy the Sisters In Crime annual anthology of top women mystery writers. These often had twenty different authors in them, and the stories were short and usually had a punch. I found I liked anthologies more than story collections, where each story was by the same author. Anthologies had more variety of voices and styles.
Our anthology had seven longer stories by seven different types of authors: historical, speculative, psychological, literary, and cozy. And each story was different. THE DEADLY HOURS has four authors, and each story is novella length. What interested me the most, though, is that instead of being a variety of plots, they each continue the theme of a cursed gold watch.
Susanna Kearsley starts the overall story with her novella in Italy, 1733, and tells how the watch came into being and how it was cursed. At the end of her tale, a Scottish assassin steals the watch and takes it to Scotland with him. Anna Lee Huber takes up the watch’s evil doings from there when Lady Darby and her husband Gage desperately search for it to put an end to the disease that’s ravishing Edinburgh, 1831. Lady Darby tries to rid the world of the wretched thing and its curse, but of course, Christine Trent finds a way to bring it back in her Edinburgh story in 1870 when a series of murders rocks society. And that’s as far as I’ve read so far. But fingers crossed C.S. Harris finally puts an end to the foul time piece in her novella, set in England, 1944, ending the anthology.
It was fun to see how four different authors advanced the story in each quarter of the book. The longer novellas made a nice bridge between short stories and full length novels. I enjoyed it. But when I finish the last one, I’m going to be ready to dig into a book again. I’ve had my break, and I’m ready for the long haul and luxury of more pages focused on one tale.