C.S. Boyack is giving a great explanation of the three act play for writing on Story Empire. Thought I’d share.
Hi, Gang. Craig with you again with a continuation of my series about Three Act Structure. Many of you enjoyed the post about Act 1, but if you missed it, here is a link.
By the end of Act 1, we should have the setting, main character(s), problem being faced, and stakes well defined.
I’m going to start today’s post with motion. While it isn’t completely required, making your character enter a strange environment adds tension and obstacles to the adventure. This happens somewhere late in Act 1, or early in Act 2. I milked the Godzilla mythos pretty heavily last time, but let’s visit it again. Your character has to deal with this issue in Japan, does not speak Japanese, and has no idea how to get around. He might be reduced to pointing at the distant destruction and yelling to go there. Might not be too productive…
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