Being Benched Is A Bummer

We’ve had a lot of company and seen a lot of people over the holidays.  Most of our friends have retired and their kids are grown.  But all of us can still be rattled when our kids hit a bumpy patch, friends hit snags, or health problems knock us sideways .  It’s frustrating to feel helpless.  The thing is, there are a myriad of things we can’t do much about.

Once kids grow up and move away, there’s only so much you can do to help them.  Sometimes–and this is even worse–you have to watch them make mistakes, get hurt, and lick their wounds.  It’s hard.  When you really care about people, the first instinct is to fix things for them.  But often, that’s not possible.  It’s not always even the best thing to do.

One of my friends is a therapist, and he uses the term “helicopter parents.”  They hover over their children, trying to protect them and shield them from being hurt or disappointed.  They think they’re helping.  They’re not.  Life isn’t always smooth or easy, and kids need to learn to deal with that.  But, if the problem is too big, and you CAN make a difference, wouldn’t you be tempted?

In the mysteries I write, my protagonists are usually dragged into trying to find a killer because they’re trying to help someone they care about.  In all three series, my protagonists are amateur sleuths, so the stakes have to be high enough to make them get involved.  In my Jazzi Zanders series, Jazzi usually knows the person who was killed or the person who’s a likely suspect and might be blamed.  In Muddy River, Raven’s the area’s enforcer.  It’s his job to find a culprit and punish him.  But Hester’s a teacher and the leader of the town’s coven.  She joins in trying to solve the crime because she takes any injury to someone in Muddy River personally.   In the new series I’m working on, Lux is a journalist who’d rather report a crime than try to solve one, but when her friends are in danger, she digs deeper to find the killer before someone she loves gets hurt.

I’ve read mysteries–and enjoy them–where the amateur sleuth takes risks just to satisfy her curiosity.  I’m sure there are people like that, and writers can make them believable, but myself, I’d steer clear of anything that might cause me bodily harm unless I was REALLY motivated.  That’s my protagonists’ approach to crime solving, too, and I think watching a loved one suffer for whatever reason–fear of going to prison, blamed for a crime they didn’t commit, fear that they might be the next victim, or grief because someone they loved died would be enough to make them jump in to help.  They’re not helicopter friends, but the type of friends you can count on in your time of need.

My protagonists aren’t the type to stay on the bench when they can make a difference.  They can’t stand sitting on the sidelines.  In life, sometimes, that’s all a friend can do.  And it’s awful.  We can’t fix the problem or make it go away.  The most we can do, at times, is to be there for moral support, to listen, and to share part of the burden.  But in mysteries, sleuths find the clues they need to solve the crimes.  And that’s the beauty of them.  As writers, we can make justice prevail and provide a satisfying ending.

Happy Writing!

 

 

 

 

 

How Many Bodies does it take?

I’m working on a mystery.  I finally reached the third turning point (three-fourths through the book–and yes, I do construct my plots that way), and I’m heading into the last 80 pages.  This is when I look at my remaining plot points and pray that I have enough twists and turns to make it to the The End.  If not, a little creativity is in order.

Almost (there must be one out there that breaks the mold, but I can’t think of it) every mystery starts with a dead body.  A crime would work, too, but it’s not as common.  The body doesn’t have to be on page one.  It doesn’t even have to show up by page five.  But someone usually stumbles upon it by the end of chapter one.  Not always.  Mystery readers, especially for cozies or traditionals,  know that while they’re hanging out with the protagonist and getting to know her and the book’s setting, a dead body will show up eventually.  It’s worth the wait.

Martha Grimes, in her early books, grabbed her readers with a hook–a prologue. They’re frowned upon now, but I liked them.  Some nice, oblivious person would be walking along a street or locking her front door, and we KNEW she’d be dead by the end of the chapter.  A great way to build tension.  A lot of thriller writers use that technique–showing the victim in a way that we know they’re already doomed.  It works.  If you’re not writing a thriller, though, you have to space out victims more sparingly:)  You don’t off somebody whenever the pace slows down, so you have to come up with different devices to keep the tension high enough to turn pages.

The thing I loved about witing urban fantasy is that you could write a battle every time you wanted to up the tension.  Pitting your protagonist against someone who could kill her works really well.  I just finished reading Ilona Andrews’s MAGIC SHIFTS, and it was a FAST read because there was a battle in almost every chapter.  Lots of action.  I loved it, but that doesn’t fly in an amateur sleuth mystery.  Protags don’t wield swords or shoot magic.

What does work?  Having the sleuth at the wrong place at the wrong time.  Having her get nosy and digging through a desk that’s not hers when someone walks into the office.  I’m halfway through a mystery by an author who’s new to me:  A Cutthroat Business by Jenna Bennett.   I’m loving it so far!  First, her protagonist is a Southern Belle.  I haven’t read one of those since the last Sarah Booth Delaney cozy I read by Carolyn Haines. Bennett’s protagonist is a real estate agent…so, of course, she takes a client to a showing and finds a body in the last room they stop to view.  See?  The nice, bloody corpse comes at the end of the chapter. More fun that way!

Also, of course, the police show up and the client who wanted to see the house doesn’t seem to have any money, but he has done some prison time–and the protag knew him when they were growing up–a smartass, sexy ex-con. Bennett finds one clever way after another to keep her protag involved in the investigation.  Eventually, though, (and I hate to say this), another body is needed to boost the pace near the middle of the book.  Sacrifices must be made for every novel, and for mysteries, well…. someone must die.

I’m sorry to say (and my daughter wasn’t happy with me, because she fell in love with a certain character when she read the pages I’ve done so far), I had to kill off someone, too, for the second plot twist in my book.  And that made me wonder:  how many bodies does it take to keep a good book going?  In urban fantasy, you’re lucky.  Very rarely does one of the good guys have to die, and you can kill bad guys at random, on every other page if you want to.  In mysteries, though? Bodies are up for grabs.  Good guys die as often as not-so-good guys.  I’m thinking–and I haven’t researched this–that it takes at least two bodies to move a mystery plot.  The first body happens at the beginning of the book and somewhere later, the pacing and clues start to fizzle, and an author has to stick in another victim.

What do you think?  Can you think of a mystery that only has one victim and the entire plot goes from there?  Okay, maybe in a P.I., because usually the private eye gets beat up close to the time a second body would pop up in a traditional mystery.  LOL.  This is probably why it was so hard for me to write romances.  I couldn’t kill anybody:)

Jenna Bennett:  https://www.amazon.com/Savannah-Martin-Mysteries-Box-Set-ebook/dp/B00A6UMNRM/ref=sr_1_8?ie=UTF8&qid=1496516485&sr=8-8&keywords=jenna+bennett+savannah+martin+series+kindle+kindle

Ilona Andrews’s Magic Shifts:  https://www.amazon.com/Magic-Shifts-Kate-Daniels-Novel-ebook/dp/B00OQSF7GY/ref=sr_1_3?ie=UTF8&qid=1496517298&sr=8-3&keywords=ilona+andrews+kate+daniels+series

My webpage (with a new creepy short story):  http://www.judithpostswritingmusings.com/

Twitter: @judypost

My author Facebook page:  https://www.facebook.com/JudiLynnwrites/?ref=aymt_homepage_panel