Tag Archives: Ilona Andrews

Q&A

One of my favorite authors, Ilona Andrews, is doing a Q&A on her blog right now.  I caught the link on twitter.  This time, two writers sent in questions and I thought she gave great answers.  One of the writers asked whether it’s better to try to sell some short stories before you try to sell a novel.

I’ve had some experience with that.  I started out writing and selling short stories.  When I finally decided to submit a book, I’d had short stories in 10 Alfred Hitchcock mystery magazines, 2 Ellery Queen mystery magazines, 3 Barnes & Noble anthologies, and 2 WomenSleuth anthologies, among others.  It helped to get editors to look at my submission, since I looked like a serious writer, but it didn’t help sell my books.  Editors only take what they’re sure they can sell.  If you send them a book that they think readers will buy, you’re in.  If you send them books that they think are in a market they consider glutted or “dead,” (like cozy mysteries were then), you’re pretty much doomed.  But Ilona Andrews gives the best answer.  You can see for yourself: https://www.ilona-andrews.com/dreams-and-short-stories/

Which leads me to say, Do any of you have questions for me?  If you ever do, just ask.

 

Advertisements

Sharing

Ilona Andrews has been answering writing questions on her blog recently.  This is the second post she’s done about how to write strong characters.  I thought it was worth sharing:  http://www.ilona-andrews.com/characters-part-2/

BTW, if anyone has any questions they’d like me to answer, just let me know and I’d be happy to give it a try.

Oh, those Alpha Males

I’m near the end of reading Ilona Andrews’s MAGIC TRIUMPHS.  Her heroine, Kate Daniels, is so strong with so many sword skills and so much magic that her love interest, Curran Lennart–whom she marries and has a child with later in the series–has to be exceptional, too, to be her equal.  So, in the beginning books of the series, he’s a shapeshifter who is the Beast Lord of the entire Atlanta pack–a shifter who becomes a giant lion who can kill and maim every bit as well as Kate.  She’s a female with an attitude, and he’s a male with enough ego and confidence to stand up to her.  He’s strong and sexy, but let’s face it.  That’s not enough.  He also has to respect Kate and be there for her.  He has to have a tender side when he deals with her.

I have to admit, I can take or leave most alpha males as heroes.  I’m just as into witty or clever heroes–men who are masculine without swagger and macho.  I don’t write alphas because that’s not my first inclination when I think of a hero.  That’s not to say I don’t enjoy reading about them–especially if there’s a great cover with abs that ripple and biceps that bulge.  You know the ones.  The ones that snag your attention when you scroll down twitter or Amazon covers.

I happen to think Julia Donner writes some of the best male characters around, but for me, Ilona Andrews writes some of the best alphas.  I love “Mad” Rogan in her HIdden Legacy series, and I fell hard for Hugh D’Ambray when he switched from villain to hero in IRON AND MAGIC.  I’ve only read the fourth and final book in Staci Troilo’s Protectorate series, TORTURED SOUL, but that fourth Brother was an alpha to remember.  Another to add to my list–and he might be an all-time favorite–was Keir in WARPRIZE by Elizabeth Vaughan.  All of these men were efficient killers who worked hard to do the right thing against impossible odds and to care for the women they loved.

How about you?  Do you have a thing for alpha males?  What’s your favorite type of male protagonist?  Do you have some favorites?

Whatever you’re working on now, I hope your characters come alive for you and happy writing!

 

Why????

I couldn’t stand it–even though I’m in the middle of reading TROUBLE IN MUDBUG, by Jana DeLeon and really enjoying it–AND I downloaded Staci Troilo’s novel TORTURED SOUL to read next–I still HAD to buy the last Kate Daniel’s urban fantasy that just came out by Ilona Andrews.  If you’ve read my blog very long, you know how much I love that series.  Her new Legacy series, too.  I’ve bought EVERY book.  And I couldn’t wait, but I also couldn’t find it on the usual bookshelf at my local Barnes & Noble.  Why?  Because one of their helpful clerks explained that it was on the hardcover display and wouldn’t be out in paperback until a LONG time.  Now, I know I bought the previous one in paperback.  The memory is sketchy, though.  Kids were in and out of the house, staying, moving, staying a little more, and the joy of reading got a little chaotic.  But I’ve bought all of the other books in paperback.  And that’s where my sorry personal lament starts–  WHY??? Why a hardcover now?

It’s time to confess that I can be a little anal about my books.  And I should have seen this coming.  WAY back before the dawn of man, I bought every Martha Grimes’ novel and Elizabeth George novel when they came out.  And they both started in paperback and then, when they became bestselling authors, their books went to hardcover.  So did Patricia Briggs with her Mercy Thompson series.  And now, so is Ilona Andrews.  I don’t mind paying $22. for their books instead of $8.  I’m happy for all of them.  They’ve EARNED more money and recognition.

BUT–I keep all of my favorite authors’ books together on my bookshelves.  And call me a little controlling, but my rows of books look crooked when half or three-fourths of a shelf is paperback and the rest is hardcover.  It hurts my aesthetic balance.  At least, until I get used to it.  And to have an ENTIRE series in paperback with just the one, last book in hardcover?  It just looks whopper-jawed.  I’m so into this, that I’ve already decided that when the paperback version of MAGIC TRIUMPHS comes out, I’m buying it.  And putting it with my other paperbacks in the series.  And I’ll give my hardcover copy to my library and hopefully some other readers will enjoy it.  But until then, I have to be patient and wait.  Not my strong suit, but hey!  I don’t have any choice.

Do any of you have bookshelf issues?  In the large scheme of things, it’s a minor irritation, but what can I say?  I hope every book you read is a winner, and happy writing!

Business…and…Mysteries with Romance

I finally got my official contract from Kensington.  It takes what feels like a long time between receiving a 3-book deal to getting the official 20+ page tome of subject heading after subject heading that I mostly have no clue about.  That’s when I’m grateful I have my agent, Lauren Abramo, from Dystel, Goderich, and Bourret.  I think most of what Kensington offers is set in stone–like the Ten Commandments–but what I concentrate on are my writing deadlines. And when do my books come out?  I know my deadlines–and I’ve given myself more time between books now that I’m writing mysteries, but I still don’t know when my books will come out.  Kensington won’t decide that until 2018.

My 6th and last romance, SPECIAL DELIVERY, is due out Nov. 7th, and I wanted to give it a fair shot, so I paid for a blog tour.  In truth, I thought Kensington would promote my romances, but not so much.  MOST writers have to promote themselves these days.  That was a learning experience for me, so I’m promoting this one a little myself.  Of course, BookBub is the BEST, but I can’t afford it, and it’s harder to get accepted by BookBub than to pass through the eye of the needle these days.  The price for my tour isn’t terrible–$60.  But it takes a day or two to decide which tour you want and to get everything ready for it if you want each blog stop to be unique with a different excerpt or blog at each spot.   And, yes, this is time well-spent.  You want to start a good two months before your book comes out.  I’m using Goddess Fish Promotions again, and they’re great to work with.

Now, with the business stuff behind me, I can concentrate on my favorite thing–writing. The first mystery is done and sent.  And this time, probably because I just finished writing them–I’ve added a romance subplot to the clues and red herrings.  This is where it got a little bit tricky.  I’ve been reading (okay, I’m a little obsessed with) Jenna Bennett’s Savannah Martin series.  She mixes mystery and romance into almost a fusion.  There’s lots of TALK about sex (nothing graphic, though), lots of steam, and gritty murders.  It makes for an intoxicating cocktail.

This is the thing, though.  I’m finishing book #10, and Rafe and Savannah still aren’t married.  It almost feels like the TV show Castle.  The chemistry is intoxicating, and they keep growing closer, but how long can you flirt with HEA and not deliver?  I’m thinking they get married in the next book.  Thank God.  But this prolonged tease let me know that even though in romances, the HEA comes at the end of the book, that’s not the way it works in other genres.

I make no secret that I’m an Ilona Andrews and Patricia Briggs fan–from the days I wrote urban fantasy.  And werewolves and werelions don’t just walk in and sweep the heroines off their feet either.  It took a few books before the hot guys won the hotter women.  So, I didn’t let my characters–Jazzi and Ansel–walk down the aisle in book one and have their HEA.  I don’t think I can come up with one diversion after another for 10 books, but I know that stalling is a good thing.  And dead bodies are great distractions to keep heroines and heroes too busy to plan ahead.  But what happens after the “death do us part” clicks in?  Do things get (yawn) boring?  I’m thinking of Castle and other TV shows.   Can you keep them interesting after marriage?  What do you think?  I was a sucker for Tommy and Tuppence, Nick and Nora, and marriage didn’t hurt them.  Any opinions?

Happy Writing!

 

My webpage (posted every Thursday):  http://www.judithpostswritingmusings.com/

Author Facebook page:  https://www.facebook.com/JudiLynnwrites/?ref=aymt_homepage_panel

Twitter:  @judypost

 

 

 

 

How Many Bodies does it take?

I’m working on a mystery.  I finally reached the third turning point (three-fourths through the book–and yes, I do construct my plots that way), and I’m heading into the last 80 pages.  This is when I look at my remaining plot points and pray that I have enough twists and turns to make it to the The End.  If not, a little creativity is in order.

Almost (there must be one out there that breaks the mold, but I can’t think of it) every mystery starts with a dead body.  A crime would work, too, but it’s not as common.  The body doesn’t have to be on page one.  It doesn’t even have to show up by page five.  But someone usually stumbles upon it by the end of chapter one.  Not always.  Mystery readers, especially for cozies or traditionals,  know that while they’re hanging out with the protagonist and getting to know her and the book’s setting, a dead body will show up eventually.  It’s worth the wait.

Martha Grimes, in her early books, grabbed her readers with a hook–a prologue. They’re frowned upon now, but I liked them.  Some nice, oblivious person would be walking along a street or locking her front door, and we KNEW she’d be dead by the end of the chapter.  A great way to build tension.  A lot of thriller writers use that technique–showing the victim in a way that we know they’re already doomed.  It works.  If you’re not writing a thriller, though, you have to space out victims more sparingly:)  You don’t off somebody whenever the pace slows down, so you have to come up with different devices to keep the tension high enough to turn pages.

The thing I loved about witing urban fantasy is that you could write a battle every time you wanted to up the tension.  Pitting your protagonist against someone who could kill her works really well.  I just finished reading Ilona Andrews’s MAGIC SHIFTS, and it was a FAST read because there was a battle in almost every chapter.  Lots of action.  I loved it, but that doesn’t fly in an amateur sleuth mystery.  Protags don’t wield swords or shoot magic.

What does work?  Having the sleuth at the wrong place at the wrong time.  Having her get nosy and digging through a desk that’s not hers when someone walks into the office.  I’m halfway through a mystery by an author who’s new to me:  A Cutthroat Business by Jenna Bennett.   I’m loving it so far!  First, her protagonist is a Southern Belle.  I haven’t read one of those since the last Sarah Booth Delaney cozy I read by Carolyn Haines. Bennett’s protagonist is a real estate agent…so, of course, she takes a client to a showing and finds a body in the last room they stop to view.  See?  The nice, bloody corpse comes at the end of the chapter. More fun that way!

Also, of course, the police show up and the client who wanted to see the house doesn’t seem to have any money, but he has done some prison time–and the protag knew him when they were growing up–a smartass, sexy ex-con. Bennett finds one clever way after another to keep her protag involved in the investigation.  Eventually, though, (and I hate to say this), another body is needed to boost the pace near the middle of the book.  Sacrifices must be made for every novel, and for mysteries, well…. someone must die.

I’m sorry to say (and my daughter wasn’t happy with me, because she fell in love with a certain character when she read the pages I’ve done so far), I had to kill off someone, too, for the second plot twist in my book.  And that made me wonder:  how many bodies does it take to keep a good book going?  In urban fantasy, you’re lucky.  Very rarely does one of the good guys have to die, and you can kill bad guys at random, on every other page if you want to.  In mysteries, though? Bodies are up for grabs.  Good guys die as often as not-so-good guys.  I’m thinking–and I haven’t researched this–that it takes at least two bodies to move a mystery plot.  The first body happens at the beginning of the book and somewhere later, the pacing and clues start to fizzle, and an author has to stick in another victim.

What do you think?  Can you think of a mystery that only has one victim and the entire plot goes from there?  Okay, maybe in a P.I., because usually the private eye gets beat up close to the time a second body would pop up in a traditional mystery.  LOL.  This is probably why it was so hard for me to write romances.  I couldn’t kill anybody:)

Jenna Bennett:  https://www.amazon.com/Savannah-Martin-Mysteries-Box-Set-ebook/dp/B00A6UMNRM/ref=sr_1_8?ie=UTF8&qid=1496516485&sr=8-8&keywords=jenna+bennett+savannah+martin+series+kindle+kindle

Ilona Andrews’s Magic Shifts:  https://www.amazon.com/Magic-Shifts-Kate-Daniels-Novel-ebook/dp/B00OQSF7GY/ref=sr_1_3?ie=UTF8&qid=1496517298&sr=8-3&keywords=ilona+andrews+kate+daniels+series

My webpage (with a new creepy short story):  http://www.judithpostswritingmusings.com/

Twitter: @judypost

My author Facebook page:  https://www.facebook.com/JudiLynnwrites/?ref=aymt_homepage_panel

 

 

Writing: How bad can bad boys be?

I recently read the first books in Ilona Andrews’ and Jeaniene Frost’s new urban fantasy series, and I loved both BURN FOR ME and ONCE BURNED. Both have spunky female protagonists–a must for urban fantasy. And both have love interests who are, of course, stronger and badder than anyone around–another must. On top of that, it seemed to me that both authors ramped up the “heat” index until the chemistry between heroines and heroes sizzled. I couldn’t turn the pages fast enough. Both Vlad and Mad Rogan are sexy as sin. And both break rules to follow their own codes of honor. Which brings me to the question: how bad can bad boys be?

I signed up to read BURN FOR ME as part of Goodreads, but I’m so slow and got so far behind, I ended up reading the comments other readers made and didn’t add any of my own, because by then…what was the point? But it interested me that a few readers agreed with the book’s heroine, that Mad Rogan is a sociopath–a tempting, I’d throw myself at him, gorgeous, smart, intriguing sociopath–but still….
Since I’d read the two books close together, it made me wonder why Vlad didn’t get the same comments, but then, he’s a vampire. And everyone knows that vampires do whatever they please, so being called a sociopath is the least of their worries. Mad Rogan is a mortal with massive amounts of magic, so I’m guessing readers expect him to show more restraint. It got me thinking, and I was surprised by the heroes who have been my favorites lately. Jorg, from Prince of Thorns, is no nice guy. Mad Rogan would gladly eliminate you if you got in his way. And Vlad–well, his magic is fire. You’d probably be a crispy critter. The thing is, to me, they’re NOT sociopaths, because in their worlds, they’re probably better than anyone else who has the same powers they do. It’s all relative. They have a reason–to find and protect usually–for the things they do; whereas, the bad guys only strive to promote self-serving interests.

A true sociopath lacks empathy, but Vlad and Mad Rogan have that. They don’t follow normal social rules because they don’t live in a normal, social world. Their friends and enemies possess lots of power. The bad guys use power to do evil. The good guys use power to battle them. They risk their lives to fight villains. The conflict in the stories is usually good vs. evil. Jorg, he’s a little more ruthless than the norm, but so is his world. In Prince of Thorns, it’s hard to feel sympathy for even the ordinary citizens. They’re not very nice either. And the rulers? They tend to be violent and power-hungry. Jorg just does it better.

I’m shaking my head at myself. It’s hard to believe I went from doting over Mr. Darcy, Deerslayer, and Harry Potter to cheering for Vlad, Mad Rogan, and Jorg. But they’re all heroes, in their own ways, who defy the norm of their social worlds to see beyond it. The one rule a bad boy might get in trouble for breaking? Cheating on the heroine. I’m a fan of Faith Hunter’s, too, and when Rick cheated on Jane Yellowrock–even though, technically, he was a bit coerced–readers weren’t happy with him.

Who are your favorite heroes? And why? Are you hooked on any bad boys?

http://www.judithpostswritingmusings.com/