Writing: Picking a Fellow Writer’s Brain

I invited my friend and fellow writer, Mary Lou Rigdon, to my blog this week for a Q & A. We come at writing from different angles, so I thought you might like to hear another writer’s approach. She writes Regency romances under the name Julia Donner, and her book, The Tigresse and the Raven, will be on special this week, Jan. 19-23, on Kindle for $0.99!

1. How did you start writing historical romance?
First, thanks for asking me to come on your blog! And for all your advice that I find myself using every day.

My first full length work was western set, a time period I was immersed in while working in my aunt’s museum. Like most regency enthusiasts, I loved Georgette Heyer. Then I visited England and Scotland and fell utterly in love. You can actually feel the history.

2. Who are 2 of your favorite authors?

Cruel question when there are so many. I’ll take the two that come to mind first, Steinbeck and James Lee Burke.

3. 2 favorite movies? (I know you’re a movie buff) And your favorite food? (Okay, that’s my obsession).

The movie one is easy. The Best Years of Our Lives, because it’s about our country’s, as well as Great Britain’s, “finest hour.” There are many films with better everything else, but I cherish that one as a tribute to a generation we will never again be able to equal.

The food thing? There’re so many goodies and so little time, but to narrow it down, I must at all cost avoid kettle-cooked potato chips. I could stick my entire head in the bag and never come out.

4. What elements do you think are important, specifically, for romance? (You helped me with the “steps” of romance, and I appreciate it).

Investment in the characters. Conflicts and obstacles to overcome. If a sensual story, the heightening of physical attraction while creating an emotional impact on the reader. (Visceral impact, if erotica, which IMHO is not always romance.) The willingness for characters to change and grow, and establishing the changes at the ending in a way that enhances the relationship.

5. What is your philosophy of life? (Didn’t expect that, did you?) Of writing?

Pretty much what is prevalent in what I write, support and loyalty for those we love, finding the courage to do what must be done.

In life as well in the stories I write, I like to look back and see how environments, people, incidents, challenges, etc., have created positive or negative change.

6. You can get a bit steamy. Would you let your mother (if she were still around) read what you write?

Are you kidding? Twenty years ago, maybe not. I’m a lot older and a little wiser. She read the fantasy series but went to heaven before the romances came out. I think she’d scold me for the “steamy” stuff with a grin and a twinkle in her eyes.

7. Any theme for your latest book, The Duchess and the Duelist?

The same theme as the series, friendship. I am fortunate to have friends who never judge me, always have my back, and never bother to ask me for a reason when I need to ask for help. In this new release, Evangeline has to learn to trust the friendship she’s offered.

8. Setting is important in your genre. It’s important in the books you write as M. L. Rigdon, too. How do you set yours up?

It depends on the genre. Fantasy requires lots of world building, which has to be concrete in the mind before it gets to the page.

Contemporary has a much different voice and less of everything. More “white” on the page, as they used to say, less description and a leap right into the action.

Historical is all about the research, immersing oneself into the time period, more description, and familiarity with customs of the time period, in order to take the reader to that place in time, learning the vernacular and cadence of the spoken word. The historical readership knows their history, so beware.

9. What advice would you give a fellow writer?

Write or work on writing every day. Find a writing group sincere about the craft, who loves, as Stanislavski said, “the art in yourself, not yourself in the art.” Then listen to them.

10. And finally, out of all the protagonists and heroes you’ve written, do you have a favorite? (I have a crush on Asterly in your The Heiress and the Spy). Who’s yours and why?

Probably Ladnor-Sha from Prophecy Denied. The characters we writers create are often bits and pieces of ourselves, although there are writers who need to use living (or once-living) people.

The reason Ladnor’s a favorite is sadly obvious. Of all the characters I’ve created, he’s most like me, especially the bull-headed part.

Mary Lou, Thanks for being here and sharing with us!

Remember to look for her novel, The Tigresse and the Raven, on special this week on Amazon!(Jan. 19-23)
The Tigresse and the Raven (Book 1)
The Friendship Series
http://amzn.to/WuqY4b

Mary Lou’s blog: https://historyfanforever.wordpress.com/
Mary Lou’s webpage: http://mlrigdon.com/
The Tigresse and the Raven:
the_Tigresse_and_the_Raven_cover[1] (2)

Her newest Regency release:
The Duchess and the Duelist

Writing: Themes

When I was young, I drove my mom nuts by asking “Why?” I wanted to understand how things connected, the cause and effect of life’s happenings. A lot of my writing explored the meaning of life. Maybe that’s why I was so drawn to mysteries, and why I’m still so drawn to plot points. Plots use cause and effect to move from one scene to the next. Mysteries take the chaos of crime and bring the criminals to justice. It makes the world…and writing…more orderly.

Now that I’m older, I don’t expect to discover the meaning of life. It’s sort of like understanding the idea of infinity. I believe in it, because it makes sense to me. How can anyone draw a line in space and say This is where it ends? Because then, we have to ask What’s on the other side of the line? Something must continue. So even though I can’t fathom infinity, I believe in it. For the same reason, I believe there must be SOME meaning to life, but I have no idea what I think it is. I’ve heard lots of different discussions on it–that life is a classroom, and we’re here to learn, that life is a blessing and sacred, even if it stinks, and that life is a stage, and we each play a part–good or bad–for the experience it brings us. I can find flaws with each and every answer I’ve heard, but that just means that the question is possibly too big for me. Like infinity. So I can’t picture the answer.

These days, I’ve flipped the question and instead of asking, What is the meaning of Life, I ask How can I add more meaning to my life? And that’s the theme that turns up more often than not in my writing. Life experience probably paid a part.

Some people are lucky and don’t attend their first funeral until they’re older. I lost my one grandfather when I was too young to remember the funeral. I only have impressions of the man–a man with a big laugh who bounced me on his knee. I lost my second grandfather before my teens. Both men went quickly, no lingering. They were there, and then they were gone. My father believed that man’s days were numbered, like the notion of the Greek Fates, who wove a person’s thread and then cut it at the allotted time. My grandfathers had lived their days, until they’d reached their quota. I decided I’d better use my time wisely. But soon after I married, my father was diagnosed with multiple myeloma. He died before he was sixty, and the disease took him a little at a time. When his blood clogged with too many proteins and cells, doctors attached him to a machine and took the blood out of his left arm, spun it in a machine with centrifugal force, and then put his clean blood back into his right arm. In the beginning, a treatment would last a long time. Then, several months. Then, shorter. Being the man that he was, he went through the treatments with no complaints, making the best of each visit and the time he had between them…until his time was up. I’M the one who shook my fists at the heavens and asked Why? To me, a lingering death seemed more like a punishment than a quick one. It wasn’t a matter of just cutting Dad’s threads. But then, one of my close friends, who’d been through loss of her own, asked Why not? Bad things happen. Why wouldn’t they happen to you? A sobering thought, but it made sense to me. So I waded through the experience. And it helped me with the next one.

My mom died a short while ago, and my sisters and I felt almost guilty, we were so happy for her. Mom had suffered Alzheimer’s Disease for ten years. The last year was just plain ugly. My sister Patty cared for her, and my sister Mary, constantly helped. I was only an occasional visitor. My theory was to help my sisters, because it’s no fun being a caregiver. I got the easy part of the downward slide that ended my mom being my mom. But I can assure you that out of love, all three of us felt huge relief when Mom’s struggle was finally over. And that experience, along with everything else that’s happened in my life, has affected my writing. Maybe that’s why urban fantasy appeals to me right now. Life’s struggles loom large in my mind, too big for mysteries. The concept of life and death is more complicated than it once was. A witch or a werewolf live until someone or something kills him. Is that a blessing or a curse? A fallen angel is immortal and can’t die. How desirable is immortality? And what makes living each day, every day, meaningful? What purpose makes life worth living? Those are the themes I’m drawn to now. And next week, I’ll lighten up:) Maybe I’ll talk about romance:):)

http://www.judithpostswritingmusings.com/